its the 10..yep, slowly but surely we eased our way into number 10. marvin zeyss is no stranger to fans of quality deep house music, making his debut on colourful with an array of warm sounding grooves.

riding high on the wings of their previous release pulling strings on their red series, eclectic avenue records bring us rear002 deep in it by small giants. small giants is the wonderfully ingenious marriage between leeds based label manager jacob kelly (j.cub) and the chicago house legend joshua iz. combining their skills, they have taken a heady guitar lick, underpinned it with a smoothly infectious bassline and sewn it all together with a warm soothing vocal sample. call it house, call it disco. either way, it is a surefire dancefloor killer and will take pride of place in any dj or collectors record box. flip her over for a remix by leeds darlings pbr streetgang. currently the hottest thing to come out of dance musics unofficial capital, the cheeky duo have put their own twist on the original by filling the track out with some chuggier deeper vibes whilst highlighting the instrumental solos. a hugely successful foray into a funkier tone for what promises to be another trophy in the e.a.r cabinets.

the latest emotional response release provides something very special indeed, in the form of a new track from under the radar psychedelic rock musician nick nicely. nicely has been making music from the 70s onwards, but his music has recently undergone something of a critical reappraisal, with the likes of robert wyatt and robyn hitchcock supposedly inspired by his work, wrottersley road provides the ideal entry into his music, a masterful piece of shoegaze pop filled with fuzzed out guitars and eastern psychedelic tones. remixes are provided by invisible hands, who provide a minimal 80s inspired electro-pop version, which comes saturated in radiophonic textures, and the oscillation, who take the track into even more abstract ambient territory than the original, deep into a place where time seems to stand still entirely, drawing its rich textures out into infinity.

nice price deal !!! hypno killer! martin patino is a real heavyweight with releases on cadenza, suara and flash. martin belongs to the generation who have enhanced house music with a new vibrant sound design. his track >michal< is a spiritual and breathtaking experience, a mesmerizing encounter into the deeper and psychedelic side of the soul. martin hits the keys with precision and energy that works in perfect harmony to his hypnotic side. this track is a fabulous one and comes here as a single side release.

following the debut 12 inch from young blood happa, fledging london label church break into the year with their second official release from up and comer rumah. following his debut collaborative 12 inch on nineteen89, the double a-side release exhibits a maturing of the producers sound and cements his allegiance to affront, dance floor ready techno.

cork label basic grooves keep the focus on irish talent for their fifth release as label boss shane linehan welcomes his namesake bambrick into the fold for some well judged, atmospheric deepness. the process finds the waterford based producer veering through dark, heads down terrain though the dubby elements are complemented by a woozy melodic melancholy thanks to the gentle chords that spread out. linehan maintains the basic groove momentum on the flip with a remix that is more stripped back, lending those chords some glowing incandescence, whilst the percussion swells with sweet intensity as it progresses.

having established the w&o street tracks imprint in 2012 to further push the revivalist house sounds of themselves and their contemporaries, waze & odyssey kick present the labels first release of 2013 with a double header of hot house talent. on the a-side, ejeca, who helmed the last w&o street tracks release teams up with us based rhythm operator on raid, an initially tense house number which explodes into a catchy sequence of lysergic 90s stabs, complete with whooping vocal sample. on the flip, rising london producer citizen builds on the momentum from a year of strong releases on love fever, five easy pieces and kerri chandlers madtech with in my mind, a heady combination of hypnotic vocal loops, thick bass, and narcotic organ chords which display a darker side to the producer.

vinyl only! forgotten planets is an adventurous voyage with heavy bass and storytelling synths, combined with hammering rimshots, snares and drums. after that we are surrounded by fog, experimental soundscapes generates a uncanny atmosphere.
on the b side we have escape mode, a massive stomper with an industrial feeling and droning alarm signals. and last but not least ancient spaceships, a little time journey into the sound of the 90ies, no barriers between detroit techno, rave, breakbeat or whatever music was called in the past or will be called in the future. 365 copies black vinyl and 165 copies red marbled vinyl. no repress!

vinyl only! forgotten planets is an adventurous voyage with heavy bass and storytelling synths, combined with hammering rimshots, snares and drums. after that we are surrounded by fog, experimental soundscapes generates a uncanny atmosphere.
on the b side we have escape mode, a massive stomper with an industrial feeling and droning alarm signals. and last but not least ancient spaceships, a little time journey into the sound of the 90ies, no barriers between detroit techno, rave, breakbeat or whatever music was called in the past or will be called in the future. 365 copies black vinyl and 165 copies red marbled vinyl. no repress!

the latest offering from san franciscos icee hot label finds the young imprint officially welcoming another artist to its gradually expanding roster. that said, contakt isnt exactly a stranger. the michigan-reared, new york-based producer is one of the founders and resident djs at brooklyns turrbotax® party, which has long been a sort of sister party to icee hot. contakt has previously released music for respected outposts like local action, grizzly, and dutty artz, but nobody else and tessera 04 find him taking an important step forward as an artist, delivering tunes that are richer and more really realized than anything from his past. particularly on nobody else, contakts flair for big-room melody remains intact, but he takes notes from classic kms, filling out the songs cresting synths with a full-bodied bassline, a hooky vocal sample and a sturdy rhythmic underpinning. tessera 04 goes deeper, channeling maurizio while delving headlong into a dense cloud of synths and maintaining a steady sense of forward momentum. on the flipside, icee hot resident ghosts on tape continues his recent hot streak, infusing nobody else with punchy drumwork and a potent rave sensibility. detroit legend robert hood then rounds out the release, transforming tessera 04 into a pulsing and purring slice of heady analog techno.

pressing on red vinyl.
leskin, massimo di lena, joseph russel and rio padice (aka the early sound collective) deliver four outstanding deep & raw house/techno cuts. of course, shitloads of records come out these days that fit the deep & raw house description, but this stuff just goes beyond. without falling back into cliche, their characteristic use of analog equipment takes you right back into the early days of hypnotic, raw & soulful machine music competing with the detroit/chicago cats from back in the day.

vinyl only, limited 2013 repress !
played by sascha dive, vera, sebo k, einzelkind on his first ep for tenderpark marquese proves to be a master of using his means. with only a few, but purposefully used elements with interesting modulations marquese creates two lean house tracks which nonetheless feel very round and harmonious. beautiful chords, subtle vocals and a powerful beat and bass fundament turn mindshake and twool into two deep house affairs which skilfully combine modernity and classicism.

commencing their 2013 release schedule with a glint in their eye and a friend by their side, masomenos return to feed our ears with their cerebral brand of house and techno!

for years now, rich nxt has been making waves in the underground scene in london. a key player in the inner circle of fuse london alongside enzo siragusa and seb zito, the substance ep will be his second solo release on the imprint. it is another top release from a label that seems to be unstoppable at the moment, and rich nxt expertly lifts the shadowy fusic sound from the depths of london, working it into four killer tracks for your record collection.

now in its third instalment, eyepatch delves into the vaults to deliver another ram packed exclusive vinyl filled with top quality deep house grooves. four top class tunes with tracks and remixes from some of the best artists eyepatch has to offer. a must have for any vinyl junkie and your decks are gonna love it!

the savannah ep concludes mr. beatnick s synthetes trilogy, a series which has signalled the london producer s migration from hip-hop into well-schooled deep house. the first two installments, at their best, married adeptly selected samples with stylish synth work in a manner reminiscent of moodymann or andrés, but not excessively beholden to detroit house.

when thomas lauren came to us with his new techno project qindek, we were instantly intrigued. qindek sees thomas moving away from his melodic background into uncharted abstract territories, without losing the warmth and depth

in the here and now of house and techno, a flux is taking place. the newest generation of souls possessed by the beat has never had a better chance to look back at the unbridled creativity and vitality of the 80s and 90s, and channel it into their contemporary creations. the gospel of youtube and a wealth of mixes with convenient tracklists make it easy for the lazy artist to absorb what was great before and reflect it in their contemporary productions. this of course is of no concern for someone like franck roger

first remix single cut from latest eddie c album country city country . we invited two favorite new producers. one is italian edit master marvin&guy . after the big success of their record on let s get lost, they are into more original production. their remix is simply killer for dancefloor. brightest hope from australia tornado wallace reconstructed original of kraut rock oriented tune to excellent psychedelic slow mo house. it s for the fan of quiet village or andrew weatherall.

the 4th and final sampler taken from swedish silver vol 2. patrick siech then steps up with the next track, kill room that also uses atmospheric percussion and stabs to build into a funky drum groove. the final track by cari lekebusch called xylopeggiator, conveys a dark, pounding 5 am rhythm that uses vocal samples and a melodic synth to create a hypnotic drum pattern

minimood extra returns with a timeless vinyl only release on blue colour vinyl by detroit legend norm talley with a dub remix by sascha dive. the beautiful and extensive >analog xtc< is a stripped & expansive masterpiece that employs understated drum programming, subtle vocal fx and insistent stabs to create spacious techno with an irresistibly hypnotic feel. on the flipside sascha dive plunges deeply into maurizio inspired dub territory with an epic thirteen minute remix of tape delays, metallic hits and subtle filters

the third part of the black series trilogy guides authentic pew into a new year. according to a furious frist with releases by jonas kopp, kevin gorman and markus suckut the new e.p. is following the rising sun with a special guest from japan named tomohiko sagae. far east techno, straight and with some drops of acid. but befor you face his endurance on the a2 you have to bear down nyers by aerts. on the flipside you can find some more acid-drops, this time by perthil & aerts and called kin, first in the original way and after that remixed by secluded.

nice price deal !!! audio culture tap back into the creative pool of bristol for a collaboration between two new alter egos: lrusse & bleecker. lrusse is the new solo project of ed bayling, of behling & simpson the bristolian champions of slow-house burners, while bleecker is the more 4x4 driven guise of fellow bristolian wedge. the result of this collaborative effort are three tracks of chunky, slow, heavy analogue vibes with an abundance of atmospherics.

side a. artesia feat. action bronson / side aa. getaway car feat. alchemist / having cut his teeth in ciphers in and around the san francisco bay area, alexander spit relocated to los angeles 2 years ago to hone his craft, and over the course of the subsequent 2 mix-tapes and aninstrumental masterpiece (this summer’s mansions), he’s now offering a distillation of his craft in his debut commercial album for decon,completely self-produced and awash in head-spinning, hallucinatory subject matter and aural stimulants. with a carefully groomed track listfeaturing only a few choice mcs and members of his immediate clique, the lp is a focused effort, a fully realized, vibrant vision that immersesthe listener in the alternately sun soaked and nocturnal lifestyle of a casual drug user and a very serious musician. this 7” packs two of the biggest tracks on the album into a limited edition package

broken bones wurde 1983 von mitgliedern der einflussrichen hardcore/punk-band discharge gegründet und fügte dem sound eine metal-komponente hinzu. die dem bones lp erschien ursprünglich 1984 bei fall out records und wurde von clay records- und discharge-produzent mike stone produziert. das album erscheint nun im originaldesign als klappcover und als neugemasterter direct-metal-mastering-vinylschnitt.

nearly 10 years on from it’s last release, phantom audio relaunches on march 11th 2013¬†and what better way to start than to go back to the very beginning! ¬†originally released on dec 6th 1999, phantom force went on to become one of the legendary dnb anthems, still being heard in sets today. fracture tears it apart and takes it right into 2013 with a mammoth half-stepping groove, led by those familiar pounding stabs, nervous strings and teasing break edits. digital & spirit go to work on backlash themselves, harking back to an era where the beats where dirty and the mood was heavy for a trademark slice of sub-heavy organised breakbeat chaos.

nearly 10 years on from it’s last release, phantom audio relaunches on march 11th 2013¬†and what better way to start than to go back to the very beginning! ¬†originally released on dec 6th 1999, phantom force went on to become one of the legendary dnb anthems, still being heard in sets today. fracture tears it apart and takes it right into 2013 with a mammoth half-stepping groove, led by those familiar pounding stabs, nervous strings and teasing break edits. digital & spirit go to work on backlash themselves, harking back to an era where the beats where dirty and the mood was heavy for a trademark slice of sub-heavy organised breakbeat chaos

mr. g continues his legacy with a hard hitting 12 inch which entirely covers the broad spectrum of true house music. while the a1 track starts out a little sinister it still evolves into a lush ambiance. this sourishly vibe changes continue throughout the release. another top notch mr.g effort which shouldnt be missed.

stygian stride is jimy seitang, a new york based musician in the no neck blues band axis who, as a member of psychic ills and most currently with rhyton, was brought up in the midst of the groundswell of avant-garde and improvised psychedlic music in new york city over the past decade. on this, his debut solo release, seitang has moved away from rock music completely, instead turning his attention to gauzy electronic music reminiscent of gas and the classic era of mille plateaux and chain reaction, with nods to manuel goettsching and tangerine dream

wonder wet records is proud to announce the return of the production of one of the most eclectic and respected italian djs, claudio fabrianesi. esteemed in his hometown rome, where he plays every saturday for alchemy at the vicious club? two stylistically opposite songs, but with one thing in common: the quality. cosmic kabul, on side a, is a pearl for any cosmic genre lover, the track contains multiple musical influences and people will talk about it for a long time. warm reaction, on the b side, is a deep journey into a more mental techno, but with also groove. a record that will make the difference, an absolute must!

futureboogie recordings is proud to present the supremely skilled production force that is bruh jackman. a duo comprised of chameleon producer jabru and bass scene favourite, hackman, this devastatingly fresh debut ep also featuring rising star vocalist joel culpepper is one to mark out the futureboogie imprint as a last word in uk electronic talent. carving out a niche of their own, bruh jackman are set to make a huge impact in 2013 with their beautifully textured electronic music where fluid neo soul melodies and velvety vocals melt into vivid keys and contemporary bass science.

this is the sound of the future four. led by andy meecham, the brains behind the emperor machine, bizarre inc and chicken lips amongst many others, and captures the excitement, diversity, strangeness and harmony of the uk underground sound of the early 90s. we are talking about the sparse dub mix on side 2 of the 12 inch single, machines making mistakes and changing the course of history, the dark side of the rave away from the neon and the white gloves, future four points the way to the dimly lit corner of the dancefloor and makes you move. after a recent discovery of boxes of old s950 and mpc60 floppy discs full of sound sets dating back to the early 90s, all three tracks have been produced solely on the mpc 3000 in staffordshire, and in perfect unison of north and south, mixed by erol alkan in london.

miles has been releasing material on modern love for a decade, first as one half of pendle coven, then on his own as mlz, and eventually pairing up with sean canty to record as demdike stare. in between he has also pursued more experimental terrain under the suum cuique moniker, produced jungle for the hate project and (together with andy stott) taken on the occasional release as millie & andrea for modern love sublabel daphne. he is also an admired, exhilarating dj, his sets have been known to span a broad spectrum of electronic music, from the obscure uk techno of labels like radioactive lamb and irdial, to classic chicago house, detroit techno and - most importantly - early 90s jungle and breakbeat, feeding into his love of the most uncompromising end of the italian experimental movement, musique concrète, synthwave and contemporary noise.

mrsk coming with yet more styles on skudge....this time he darkens up the rave and goes into some serious warehouse territory!

following his recent collaborations with ai records, electronique.it, and icon of desire, passenger finally comes back to eclipsemusic to release a new 12 vinyl record, titled chord abuse ep. the release takes off with solar flare, one of passengers most airy, housey and positive works till now, with its melodic sequence and uplifting atmosphere. on the same side of the 12 inch, surface debris de-construct the classic techno elements to build an abstract, moody, hyper-cynetic slice of futuristic techno. on side b solar flare gets then a special remix treatment by stephen brown, one of the most personal and notable european techno producers: the result is a tight, swinging rework of tiny slices of the original, turning the track into a classic techno builder..

it is a double vinyl set of empty locked grooves that contains nothing but its very own surface noise - and physical structure. it is a sculptural revision of stefan goldmanns earlier locked groove-based double vinyl the grand hemiola, but it also serves as a genuine hauntological vinyl surface noise tool kit, out on its own. pulling a knife or other tool to its grooves allows for cutting your literally uniquely own beats directly into the record.

a double ep release from the classic music company, mixing together friends old and new from the label. recent signings to classic, no dial tone deliver their second original production to the imprint - standing still – a deep slow burning almost bjork-esq vocal record kicks off the a side. long time label cohort from the early bar rumba days, mathew herbert twists and turns the record into something completely herbert and ultimately classic in its make up. on the flip…long-time greenskeepers man james curd returns to classic with nothing short of a bump! gentle help is typical curd funk and now with added black madonna flavours. road tested relentlessly at the smart bar, the chicago native channels the essence of old dance mania records and funnels it into something typically a little left of centre. each track is uniquely different and recognisably classic.

for its ninth release popcorn is proud to present the second ep of the man from koeln that we do not introduce anymore: daso. this artist who became a real friend and mainly one of the head artist of the label is one of the talented producer in the recent electronic music circus. immer, the main track of this release, gathers a collection of generous and deep sounds sprinkled with hypnotics’ synths: no mistake. the italian nico lahs (ovum, poker flat…) gives us a brilliant own interpretation playing with the bass through acid touches. definitely underground. schub the second original of this opus confirms dasos potential to produce deep house. strong original themes, romantic piano, voices and rollands drums are a sweet taste of springs. chordster is the last original but not the least. the lead piano drives the acid snare all along the track. the result is more than effective and brings your mind right into dasos universe, forever.

pete is a club dj, music producer and radio presenter, but way beyond any name or title he is a music fan. in fact, pete is a music man. thanks to his broad musical taste, deep musical knowledge and boundless energy and enthusiasm, he is one of the lucky few who have managed to turn *what i love* into *what i do*. pete does music full time, full on all the time.

raw analogue alchemies delivered with all the sleek and polish of its black-on-black casing made bryan blacks edlx debut last year as blackasteroid a truly memorable one, consolidating all of the motor mans proven paisley park-honed engineering capabilities into a succinct and forward-facing ep. defined by its gritty textures, fizzy white noise manipulations and a signature mechanical hum throughout, black acid achieved a uniquely tactile sound quality, reaffirming bryan black as a formidable one to watch under his revised blackasteroid guise.

*bastard child of house* is a tribute to chicagos most famous record store. inspired by a video about some native chicago guys working at the store, peter schumann and kareem decided to set words to a tune and create their own version of the story. they asked their buddy dcnt if he could add his interpretation too. and so it happened that words became sound and sound inspired more sound and as we speak everything turns into words again. with both versions the tooliness is very obvious, while the original is organic and warm in terms of tone and sound design, the dcnt version has a more technoish feel and relies heavily on its edgy and straightforward character.

music that rumbles. it is the trademark for hidden recordings. we continue the tradition in a big way with fast-rising uk producer chris finke offering the up the labels next release, dont try this at home. you may recognize his name from such prominent labels such as mote evolver, beardman, and trapez, and now joins our family. chris is tough to categorize, and that is why we love this ep so much. it is a combination of his unique mix of techno, bass and anything else he feels like, all rolled up into a nice industrial big-room package ready for warehouses around the world. clrs black asteroid provides a bold and unforgettable remix of dont try this at home.
support from many including luciano, richie hawtin, audio injection, dj emerson, danny tenaglia, andrea ferlin, sasha carassi, matt cooper, luigi madonna, noah pred, and angel costa.

in a world in which upstart diy talent is flooding the gates of electronic music, a few recent voices have been so strong as to be startling. lapalux – aka 25-year-old stuart howard – is certainly one such. as singular as a brilliant artist always should be, his instinctive understanding of the atmospheric power of texture grips the ear immediately on listening. nostalchic is his debut album, mission statement, and the climax of many years of studying his craft. the amalgam of words that make the title is aptly, and perhaps knowingly chosen. the album evokes nostalgia without ever sounding nostalgic, and howard may have had his tongue in his chic when he added the second half of the title. the album is his most focused document to date, adding his beloved r&b and soul into elements of house and hip hop, all with the trademark lapalux finish, infectious, lopsided swing and achingly deep texture.
white coloured double 12 inch vinyl, includes code for free mp3 download of the full album.

switch away your mind into the dusty and happy twenties when pharmacies sold coke over desk and the ballrooms were filled with glamour!

reverence paying homage to the beloved underground, a prime collective of neo-electronic architects spawn a quintessential four track vanguard. the greatest by drivetrain (detroit, usa) begins gritty and minimal, blossoming into a spectral orchestration of refined vocal samples fused with melodic pads and acid bleeps. the heavy bass line and pounding rhythm keep it moving mercilessly. cloudmaster weed (meaux, fra) utilizes the vocal stylings of goddess stephanie on the raw and sultry >sweet & delicious<. the seductive groove lays the perfect groundwork for a goddess to dream on some of her favorite pleasures. rennie foster (vancouver, can) makes a strong return to soiree with the prolific, deep-tech, > low boxing<. a clever amalgamation of silky vocal samples dropping amidst heavy syncopated acid. lush pads provide the final polishing. j.garcias (detroit, usa) >lost< serves a commanding conclusion. the throbbing rhythm drives alluring female vocal samples thru an infectious late night sizzler. reverence – an absolute and authoritative tribute

are you a dreamer or are you a believer? listen to kal012 and figure it out! our latest release features egokind on a split ep with blenn & gleich. each act put in a song which was later remixed by the other. you will enter egokinds world of multi-layered sounds and feel the vibe of blenn & gleich. in the end it doesn t matter if you are a dreamer or a believer, this ep will turn you into a dancer!

mask, released in 2012 as the first track to come from the mysterious vaal, mask has been remixed by two purveyors of forward thinking electronic music. sei a and john tejada twist & cajole the original into new and darker territories, whilst vaals own hut remix adds another dimension to the ep.

in the great tradition of count ossie, four new grounation furies - hypnotic, thunderous, urgent, mystical - with dubwise repeta, funde and bass drums embedding the light of saba veterans gorgeous trombone classicism.
the opener is a rocking kumina rhythm, with ring-the-alarm metal percussion and exhortatory brass, free the people swirls some apocalyptic reasoning into the foggy, thumping mix. universe in crisis is another emergency call, chuffing headlong down the grooves ... before the beautiful, anthemic chant takes a step back from the fire, closing with a sense of thankful, spiritual reconciliation, the expert drumming and lyrical bone-work in full effect.

continuing their quest towards the futuristic and experimental electronic horizon, the ever evolving and never compromising visionquest are back, taking a journey into the deep and dubby, presenting the moonlight shadow ep - three beautifully distinguished tracks from germanys finest, seidensticker & salour.